Every time I reflect on Paris it's like falling in love with the idea of love. It's like kissing someone you are falling in love with, and just when you are on the verge of breaking up, your love is renewed. You can never grow tired of Paris. She will haunt your dreams, and the dreams will be light and airy, impossibly delicious, dark and sullen. Because Paris, like all big cities, and all big love affairs, can make you morose.
Paris is a wine with a complicated aftertaste. Slightly oaky and bitter, but then it warms and does a 360 in your mouth and delivers warm notes like birds in the trees of the Champs-Élysées, titilating to the tongue and palpitating your coeur. Oh la la, your giddiness begins as the gray of Paris skies give up the last of their rain, the sun kisses your cheeks, the love affair is renewed, and the sadness is washed into the Seine. Each day is a love affair in Paris.
Alors, am I speaking of my time in the 19th Arrondissement? Mais oui. Am I so stuck in time that I have no realistic view of Paris? Bien sûr! What did I do with my brief and magical love affair? Why, I did what any aspiring author does: I wrote a screenplay and a novel about it. You see, I went to Paris to visit my daughter, and her husband, Grégoire. He is an assistant film director, and has worked on some big projects, such as Midnight in Paris, Lucy, Valerian and the City of Ten Thousand Planets, and many French TV and feature film projects. My plan was to spend two weeks in Paris and then travel to Menton, on the Côte d'Azur. But as I've mentioned here, Paris is like an addiction. Like all love affairs, in the beginning you fall under its spell. I felt powerless to leave Paris. So I stayed for twenty-one days.
Naturally, this became the title of my screenplay and novel, 21 Days in Paris. Here, watch a promo I created to get a feel for what they story is about.
https://www.youtube.com/watch?v=1dsjHFUvpO8
Ryan Hollister, a professor of art in Seattle, has fallen off the roof of his house. While in a coma, he dreams he is in Paris, where he meets and falls in love with a French woman named Aurélie. Landscapes regularly morph into Impressionist paintings, and he has conversations with Degas at the Musée d’Orsay, and elsewhere in Paris, and with Mimi, a mysterious, magical, older woman who seeks to help him in his quest. On the eve of his asking Aurélie to marry him, while in a pedicab after seeing the Louvre, a bomb goes off. Ryan wakes in a hospital in Seattle, and discovers his magical experiences in Paris were a dream while in a coma for twenty-one days. He decides he must go to Paris to see if Aurélie is real or a fantasy.
I suppose it's human nature for you to want me to tell you the ending of 21 Days in Paris. Sorry, I can't do that. Grégoire, my French son-in-law, said the ending of the screenplay was "sweet and satisfying." When the novel is published, and I see you at a bookstore signing, I will be happy to sign your copy of 21 Days in Paris. And if it becomes a movie after that time, and you recognize me in the snack bar, I'll buy you a bag of popcorn. I may be wearing a disguise, and be dressed like Degas.
The story in the screenplay and novel is partly based on my experience. You see, I fell off the roof of my house and broke my back. I was in and out of consciousness. After I recovered I needed a break from my job in Orange County, California so I went to Paris. It was the last stop on a vacation that included most of England and Denmark.